Yaroslav GerzhedovichPostindustrial/gothic gate, topped by two giant heads. And this gate is not into a "happy town", but into a totalitarian and technological place, perhaps it's a symbol of the pessimistic future.
Edén Ochoa IniestaInner view of the Comares Palace gate at the Alhambra in Granada, Spain in black and white.
Edén Ochoa IniestaView from the inside of the Comares Palace gate at the Alhambra in Granada, Spain in black and white.
Yaroslav GerzhedovichThe stone head with empty eye-sockets, hanging in the black sky, as a kind of strange deity, impassive, indifferent, beyond good and evil.
Yaroslav GerzhedovichOld stone arch, an universal symbol, a gate, entrance to another world, a border, a place of desicion making. And behind it - a way to a foggy obscurity.
Yaroslav GerzhedovichThese houses looks familiar, as in any old town, but the road leads into a misty void.
Yaroslav GerzhedovichA dolls maker, sitting in the ruined house, surrounded by his creations. An allegory of creativity, an artist, who is totally immersed into his inner world.